The Case of the Restless Redhead by Erle Stanley Gardner. Illustrated by James R. Bingham
Джеймс Бингам (James R. Bingham; 1917-1971) — американский художник-иллюстратор, мастер рекламы. Иллюстрировал "Сатердей ивнинг пост" (The Saturday Evening Post), "Гуд хаузкипинг" (Good Housekeeping), "Эсквайр" (Esquire), "Америкэн магэзин" (American Magazine); как художник участвовал в рекламных компаниях известных индустриальных групп и корпораций. В визуализациях Бингама, и особенно в иллюстрациях к произведениям классика детективного жанра Эрла Стэнли Гарднера (Erle Stanley Gardner; 1889-1970), чувствуется сильный драматический элемент — тревожная атмосфера вибрирующей неопределённости в асимметричной психодинамике разворачивающегося сюжета картины, на который часто накладывается стилистика голливудского нуара. В рекламе же художник диаметрально противоположен.
Nine Strings to Your Bow by Maurice Walsh. Illustrated by James R. Bingham. The Saturday Evening Post July 1945
Not Meant for Me by Gertrude Dahlberg. Illustrated by James R. Bingham. Esquire 1950's
The Rocket Man by Ray Bradbury. Illustrated by James R. Bingham. Argosy February 1952
The Case of the Footloose Doll by Erle Stanley Gardner. Illustrated by James R. Bingham. The Saturday Evening Post March 1958
The Case of the Greedy Grandpa by Erle Stanley Gardner. Illustrated by James R. Bingham. The Saturday Evening Post November 1958
Tugboat Annie's Sentimental Journey by Norman Reilly Raine. Illustrated by James R. Bingham. The Saturday Evening Post September 1961
Advertising series: Philadelphia Electric Company by James R. Bingham. The Saturday Evening Post September 1950's
James R. Bingham (1917-1971) was an American illustrator and advertising artist. He illustrated The Saturday Evening Post, Good Housekeeping, Esquire, and American Magazine; as an artist, he participated in advertising campaigns for well-known industrial groups and corporations. Bingham's visualizations, and especially his illustrations for the works of detective writer Erle Stanley Gardner (1889-1970), feature a strong dramatic element — an unsettling atmosphere of vibrant uncertainty in the asymmetrical psychodynamics of the unfolding plot of the picture, which is often overlaid with the style of Hollywood noir. In advertising, the artist is diametrically opposed.
