Уильям Джеймс Эйлуорд (William James Aylward) | Харперз мансли магэзин (Harper’s Monthly Magazine)

Our Coastwise Caravans by W. J. Aylward. 1909

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Уильям Джеймс Эйлуорд [варианты транскрипции: Эйлворд /Эйлвард/Эйлуард] (анг. William James Aylward; 1875-1956) — американский художник, иллюстратор, журналист, преподаватель; начинал с работы в гравировальных домах Милуоки и Чикаго; первоначальное художественное образование получил в Художественном институте Чикаго (Art Institute of Chicago) и в Лиге студентов-художников (Art Students League) в Нью-Йорке, затем учился в Школе иллюстраторов Говарда Пайла (Howard Pyle) в Уилмингтоне. В 1905 году Пайл получил от президента Теодора Рузвельта, которого он знал лично, разрешение на участие Эйлуорда в морском перегоне плавучего дока из Мэриленда на Филиппины. Итогом шестнадцатимесячного путешествия была публикация в "Скрибнерз магэзин" (Scribner's Magazine) и серия публикаций в Харперз мансли магэзин (Harper’s Monthly Magazine), окончательно закрепившие за Уильямом Джеймсом Эйлуордом репутацию морского художника. В 1918-1919 годах Эйлуорд — один из восьми художников Американского экспедиционного корпуса генерала Джона Першинга в Европе. После войны Уильям Джеймс Эйлуорд продолжил сотрудничество с журналами "Харперз мансли магэзин", "Скрибнерз магэзин", "Сатердей ивнинг пост", "Америкэн магэзин"; преподавал в Школе искусства в Ньюарке (Newark School of Fine and Industrial Art) и в Институте Пратта в Бруклине (Pratt Industrial Art School).

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Our Coastwise Caravans by W. J. Aylward. 1909

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The Water-Life Around Singapore by W. J. Aylward. 1909

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Small Sam Small by Norman Dunkan. 1911

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The Secret-Sharer by Joseph Conrad. 1911

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Hong-Kong by W. J. Aylward. 1911

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The Waterway to Dixie by W. J. Aylward. 1915

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Steamboating Through to Dixie by W. J. Aylward. 1915

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Уильям Джеймс Эйлуорд (William James Aylward)

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William James Aylward (1875-1956) — American artist, illustrator, journalist, and teacher; began working in engraving houses in Milwaukee and Chicago; received his initial art education at the Art Institute of Chicago and the Art Students League in New York, then studied at the Howard Pyle School of Illustration in Wilmington. In 1905, Pyle received permission from President Theodore Roosevelt, whom he knew personally, for Aylward to participate in the sea transportation of a floating dock from Maryland to the Philippines. The sixteen-month voyage resulted in publication in Scribner's Magazine and a series of articles in Harper's Monthly Magazine, which finally cemented William James Aylward's reputation as a marine artist. In 1918-1919, Aylward was one of eight artists with General John Pershing's American Expeditionary Force in Europe. After the war, William James Aylward continued to collaborate with Harper's Monthly Magazine, Scribner's Magazine, The Saturday Evening Post, and American Magazine; he taught at the Newark School of Fine and Industrial Art and the Pratt Institute in Brooklyn.

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По материалам: Delaware Art Museum | William James Aylward's Three Views of American Clipper Ships in 19th-Century New York by Mary F. Holahan; The Smithsonian Institution | National Museum of American History | William James Aylward

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Люшес Уолкотт Хичкок (Lucius Wolcott Hitchcock) | Харперз мансли магэзин (Harper’s Monthly Magazine)

The Wild Olive by Basil King. 1910

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Люшес Уолкотт Хичкок (анг. Lucius Wolcott Hitchcock; 1868-1942) — американский живописец, художник-иллюстратор; художественное образование получил в Академии Жюлиана (франц. Académie Julian) в Париже; как иллюстратор публиковался в популярнейших журналах Америки, в том числе "Скрибнерз магэзин" (Scribner's Magazine), "Вумэнс хоум кемпэньен" (Woman's Home Companion) и "Харперз мансли магэзин" (Harper’s Monthly Magazine).

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Amelia by Margaret Deland. 1903

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The Conquest of Canaan by Booth Tarkington. 1905

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An Unskilled Laborer by May Kelsey Champion. 1906

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A Sacrament of the Night by Madge C. Jenison. 1906

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A Horse's Tale by Mark Twain. 1906

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The Valedictory by Muriel Campbell Dyar. 1907

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The Wild Olive by the author of The Inner Shrine (Basil King). 1910

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The Dust of the Wheel by Richard Washburn Child. 1910

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Soaring Spirits by R. E. Vernede. 1911

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The Miracle by Robert Herrick. 1911

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Люшес Уолкотт Хичкок (Lucius Wolcott Hitchcock)

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Lucius Wolcott Hitchcock (1868-1942) was an American painter and illustrator. He studied art at the Académie Julian in Paris. Hitchcock published his work as an illustrator in some of America's most popular magazines, including Scribner's Magazine, Woman's Home Companion, and Harper's Monthly Magazine.

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Элизабет Шиппен Грин (Elizabeth Shippen Green) | 1909-1910 | Харперз мансли магэзин (Harper’s Monthly Magazine)

The Burning of Babel by Una L. Silberrad. 1909

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"С успешным продвижением по службе Хьюгера, перемещалась и пара — сначала в Провиденс, затем в Род-Айленд, потом в Бостон, обратно в Филадельфию и, наконец, в Нью-Йорк. Элизабет продолжала иллюстрировать — и даже больше, чем прежде. При втором переезде Эллиоттов в Филадельфию, куда Хьюгер был назначен директором того, что сейчас является Филадельфийским колледжем искусства (Philadelphia College of Art), они приобрели небольшой дом в Джермантауне (Germantown), который назвали "Литл Гарт" (причудливое название для "сада"). После смерти Хьюгера в Нью-Йорке в 1951 году, Элизабет вернулась в Филадельфию. Окружённая своими старыми друзьями, она умерла в 1954 году" (© Elzea, Rowland and Elizabeth H. Hawkes, eds. A Small School of Art: The Students of Howard Pyle. Wilmington: Delaware Art Museum, 1980. © Перевод мой)

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The Children by Josephine Daskam Bacon. 1909

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Aurelie by Arthur Sherburne Hardy. 1909

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The Suitable Child by Norman Dunkan. 1909

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The Burning of Babel by Una L. Silberrad. 1909

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The Little Romance By Norman Duncan. 1910

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Her Eyes Are Doves by Harriet Prescott Spofford. 1910

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Rose of the Dawn by Elinor Macartney Lane. 1910

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A Credit to Densmore by Margarita Spalding Gerry. 1910

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The Real Birthday of Dorante by Arthur Sherburne Hardy. 1910

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The Shrine by Marie Manning. 1910

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Thomas Conover by Clare Benedict. 1910

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Элизабет Шиппен Грин (Elizabeth Shippen Green)

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According to data published on the Norman Rockwell Museum website, Elizabeth Shippen Green (1871-1954) was born to a well-connected Philadelphia family. An ambitious student at the Philadelphia Academy of the Fine Arts under Thomas Eakins, Thomas Anschutz, and Robert Vonnoh, Green additionally took on coursework at the Drexel Institute with Howard Pyle. The instruction of these teachers links Green to acclaimed illustrator Maxfield Parrish, an artist whose work influenced Elizabeth Shippen Green. It was in Pyle’s class that she met her fellow artists Jessie Willcox Smith and Violet Oakley. These three women shared a studio space in downtown Philadelphia before moving to the old Red Rose Inn Estate in Villanova, where they lived and worked for many years. This unusually close group of successful female illustrators came to be known as the Red Rose Girls, named as such by Pyle himself. Their body of work is a cornerstone of the Golden Age of American illustration, a time when magazine publishing flourished. In 1901, Green signed a semi-exclusive contract with Harper’s Weekly. She was the first female staff member of Harper’s. I will add that Elizabeth was publishing before she was eighteen, making pen and ink drawings and illustrations for St. Nicholas Magazine, Woman's Home Companion, and The Saturday Evening Post. In the series of drawings that Harper's specially commissioned from her in 1905, she depicts a romanticized domestic life. More typically, however, in her work for Harper's, she portrayed adults in diverse dramatic situations. Critics praised her decorative style, original compositions, and subtle use of color.

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